Състояние: Много добро
Забележка: Използвана книга, здраво и чисто книжно тяло, леко овехтял външен вид.
Издателство: Vintage Books
Град на издаване: London
Наличност: singular
Ширина (мм): 130
Височина (мм): 200
Дебелина (мм): 27
Корици: Меки

THE NUMBER ONE SUNDAY TIMES BESTSELLER WINNER OF THE 2010 COSTA BIOGRAPHY AWARD.

264 wood and ivory carvings, none of them bigger than a matchbox: Edmund de Waal was entranced when he first encountered the collection in his great uncle Iggie's Tokyo apartment. When he later inherited the 'netsuke', they unlocked a story far larger and more dramatic than he could ever have imagined. From a burgeoning empire in Odessa to fin de siecle Paris, from occupied Vienna to Tokyo, Edmund de Waal traces the netsuke's journey through generations of his remarkable family against the backdrop of a tumultuous century.

'You have in your hands a masterpiece'
Frances Wilson, Sunday Times

'The most brilliant book I've read for years... A rich tale of the pleasure and pains of what it is to be human'
Bettany Hughes, Daily Telegraph, Books of the Year

'A complex and beautiful book'
Diana Athill

Review:
Amazon Best of the Month, September 2010: At the heart of Edmund de Waal's strange and graceful family memoir, The Hare with Amber Eyes, is a one-of-a-kind inherited collection of ornamental Japanese carvings known as netsuke. The netsuke are tiny and tactile--they sit in the palm of your hand--and de Waal is drawn to them as "small, tough explosions of exactitude. " He's also drawn to the story behind them, and for years he put aside his own work as a world-renowned potter and curator to uncover the rich and tragic family history of which the carvings are one of the few concrete legacies. De Waal's family was the Ephrussis, wealthy Jewish grain traders who branched out from Russia across the capitals of Europe before seeing their empire destroyed by the Nazis. Beginning with his art connoisseur ancestor Charles (a model for Proust's Swann), who acquired the netsuke during the European rage for Japonisme, de Waal traces the collection from Japan to Europe--where they were saved from the brutal bureaucracy of the Nazi Anschluss in the pockets of a family servant--and back to Japan and Europe again. Throughout, he writes with a tough, funny, and elegant attention to detail and personality that does full justice to the exactitude of the little carvings that first roused his curiosity. --Tom Nissley