A National Book Award winner, this bawdy, comic trio of novellas finds John Barth injecting his signature wit into three tales many times told: that of Scheherazade, storyteller of...
"I find myself inclined to set down for whomever, before my memory goes kaput altogether, some account of our little community, in particular of what Margie and I consider to have been...
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A National Book Award winner offers his most inventive novel to date. Journalist Simon Behler finds himself in the house of Sinbad the Sailor after being washed ashore during a sea-going...
John Barth, a moderately successful novelist just turned sixty, decides to take a sail on Chesapeake Bay with his wife, but a tropical storm forces them deep into the Maryland tidal...
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This is Barth's most distinguished masterpiece. This modern classic is a hilarious tribute to all the most insidious human vices, with a hero who is "one of the most diverting...
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In this outrageously farcical adventure, hero George Giles sets out to conquer the terrible Wescac computer system that threatens to destroy his community in this brilliant "fantasy...
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As young Jake Horner s mind became an increasingly paralyzing cobweb of dark thoughts, he turned for help to an extraordinary doctor part saint, part evil-genius, a weird combination...
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In this novelistic romp that is by turns hilarious and brilliant, John Barth spoofs his own place in the pantheon of contemporary fiction and the generation of writers who have followed...
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John Barth stays true to form in "Every Third Thought, " written from the perspective of a character Barth introduced in his short story collection "The Development. " George I. Newett...
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Barth's lively, highly original collection of short pieces is a major landmark of experimental fiction. Though many of the stories gathered here were published separately, there...
The Floating Opera and The End of the Road are John Barth's first two novels. Both concern strange, consuming love triangles and the destructive effect of an overactive intellect...
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When John Barth's Lost in the Funhouse appeared in 1968, American fiction was turned on its head. Barth's writing was not a response to the realistic fiction that characterized...
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This playful and jazzy triad about fateful threesomes provides an engagingly postmodern commentary on the art of storytelling, classic mythology, and literature. The first novella explores...
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